Tyla Walker
Bully Boo
Bully Boo
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I destroyed her once with a single sentence.
Now I’m the broke bastard who owns the building she’s here to save, and every day on this job site she swings that hammer like she wants to bury it in my chest.
Alianna Rodney. My high school obsession. The girl I broke. The woman who now holds my last shot at survival in her calloused hands.
She hates me. Good.
I don’t want her forgiveness. I want her under me, around me, screaming my name while I nail every wall she’s spent years building against me. I want to watch that steel spine bend when I finally drop to my knees and prove I’m not the boy who hurt her anymore.
She thinks this is just a renovation.
She has no idea I’m never letting her walk off this site without my ring on her finger.
She’s here to fix my building.
Now I’m going to ruin her for anyone else.
Read on for bully redemption, forced proximity on a job site, a reformed golden boy on his knees, and a heroine who makes him earn every single inch. HEA Guaranteed!
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Look Inside!
Chapter 1
Alianna
The alarm doesn't go off. I'm already awake.
4:52AM, and the sky outside my bedroom window is the color of old dishwater. I sit up and reach for my socks before my eyes have fully adjusted. There's a rhythm to mornings like this: pull on the thermal undershirt, the flannel over it, work jeans still stiff from yesterday's wash. My boots are at the foot of the bed where I left them, laces already half-threaded from force of habit. They smell like concrete sealer and something underneath that, older, like the boots have their own memory of every pour they've stood through.
Dad's already in the kitchen when I get downstairs.
"You eat yet?"
"Pouring yours now." He hands me a travel mug without turning from the stove. Eggs crack. The radio on the counter plays something country and forgettable.
I lean against the doorframe and breathe in the coffee smell and the butter browning in the pan. Darnell Rodney has always moved like a man who knows exactly how much space his body takes up. Even with the slight hitch in his left knee, which he denies having, which I don't mention.
"Haverfield site today," I say.
"Roof framing and drywall hang. Two loads in the truck." He sets a plate on the counter in front of me. Eggs, toast, no ceremony. "Johnson called last night. Wants us to quote the storage unit complex on Route 9."
"That's commercial."
"That's what I said." He finally looks at me, and there's something careful in it. "That's what I said when I told him yes, we'd come look."
I eat my eggs. Route 9 is a job that changes things, or it's a job that swallows a small contracting firm whole if the bid is priced wrong. I've watched my father do the maths on margins like these for twenty years. I've done them myself, in notebooks, in spreadsheets, in the margins of architecture textbooks I don't look at anymore.
"I'll handle the quote," I say.
"Figured you would."
The drive to Haverfield takes fifteen minutes on empty streets. The truck, a '09 Ford with a cracked left mirror and a tailgate that needs two hands to open, rattles over the railroad crossing on Fifth and then settles into the smooth stretch of residential road past the old mill site. I know every bump. I've driven this route since I was sixteen, sitting passenger-side next to Dad, then behind the wheel myself at eighteen.
The job site is a two-story colonial, gutted to the studs inside. We're reframing the upstairs ceiling where water damage ate through the original joists, then hanging drywall throughout the main floor. Tony, our lead carpenter, has already got the site opened when I pull up. He's standing on the porch in a hoodie and a hard hat, thermos in hand, looking like a man who finds the concept of morning personally offensive.
"Delivery show?"
"Backed up. Twenty minutes."
I drop my bag through the passenger window, check the manifest. "We'll start pulling the demo material while we wait."
The day has its own logic after that. Demo, stack, measure twice. The lumber delivery arrives thirty-two minutes late, not twenty. Tony and I argue briefly about joist spacing and then agree, which is how most of our arguments end. By noon the ceiling frame is roughed in and I've sweated through my flannel from the inside. I pull it off and work in the thermal, and nobody says anything because everyone else looks the same.
There's something I love about a framed-out room, the geometry of it, the skeleton before the walls close in. I stood in rooms like this at eighteen and thought about load paths and cantilevers, about how a structure holds weight without buckling. Professor Maeda at Columbus State had called my application essay "unusually observant for someone without formal training." I'd read that email three times before I deleted it. Two weeks later, Mom was in the hospital for the second time, and the scholarship paperwork sat unsigned in the kitchen drawer until the deadline passed.
I drive a nail and the thought goes.
Quitting time is 5:30. I stay an extra twenty minutes to walk the site and mark the punch list for tomorrow, then load the leftover hardware into the truck bed. Dad knocks off earlier now than he used to—his knee, which he doesn't have a problem with—and Tony rides with his cousin, so I'm the last one out.
The hardware store is on Clement, two blocks before my turn home. I need angle brackets, sixteen of them, for the storage room shelving at the Haverfield site. I park half up on the curb the way everyone does on Clement and push through the door into the warm, sawdust-and-rubber-mat smell of Tanner's Hardware.
Pete Tanner is behind the counter, deep in conversation with a man I vaguely recognize from the diner on Oak. I pull the angle brackets from the wall display and get in line.
"— whole thing collapsed. I mean they're saying a hundred clients, easy." Pete is shaking his head with the particular satisfaction of someone delivering bad news he finds entertaining. "Columbus firm. Big one, too, or it was."
"What was the name?"
"Vantage Capital. Austin O'Connor." Pete leans on the counter. "They're saying it wasn't just bad investments. It was… you know. Worse."
My fingers find the edge of the shelf.
I know that name. Of course I know that name. Austin O'Connor, who sat two rows back in Advanced English at Millfield High and said something at a party junior year that followed me for months afterward. Something casual and careless, the way only someone who's never had to think about how they're perceived can be casual and careless. Something I've never fully put down.
I set the brackets on the counter and wait. Pete rings me up without breaking the conversational stride. I pay, take my bag, and walk back to the truck.
The engine turns over on the first try.
I drive home. The O'Connor name rattles around my skull the whole way—not loudly, not dramatically, just a low persistent hum, the way an old bruise reminds you it's there when you press it. I don't press it. I don't think about Austin O'Connor in his Columbus office with his clients' money and his father's name on the door and whatever collapsed under him. I don't think about the party, about the sentence he said, about the way the kids next to him laughed.
I pull into our driveway and tell myself it means nothing.
Dad is at the kitchen table with a plate of leftovers and a pile of mail. He looks up when I come in.
"Johnson called again. Wants an answer on the Route 9 quote."
"I'll have it to him by Friday." I drop my keys on the hook. "I need to run the materials costs tomorrow and get three bids from sub-suppliers."
"There's something else." He taps one envelope in the pile. "Came this afternoon. Commercial property on Delaney. New owner just acquired the old Caldwell building and wants a full interior renovation, systems overhaul, the works. Open bid, but Johnson gave them our name as a referral."
I drop into the chair across from him and pull the envelope over. It's a formal RFP, printed on heavyweight paper, with a cover letter and project scope attached. New construction manager. Owner intends to convert the Caldwell building into a mixed-use commercial. Scope is large: framing, drywall, all interior finishes, electrical rough-in coordination, HVAC framing prep. The project that would keep Rodney & Sons busy for eight months and change our bid category permanently.
I read it twice.
"This is real," I say.
"That's what I thought."
I flip to the contact sheet at the back. Project correspondence address, site inspection request, owner's representative information.
The name at the bottom of the page reads: A. O'Connor, Owner. Contact: O'Connor Property Holdings LLC.
The kitchen is very quiet. The refrigerator hums. Somewhere outside, a dog barks twice and stops.
I look at the name until it's just letters. A. O'Connor. Could be anyone. Could be a dozen people with that name in a county this size. Could be an Andrew, an Angela, an Alexis. No reason at all to assume the A stands for Austin. No reason at all for my jaw to tighten the way it's tightening right now, or for my eyes to go back to the top of the page and reread the whole document just to make sure I haven't misread anything.
I set the papers down flat on the table.
"I'll pull the property records tomorrow," I say. "Find out who we're actually dealing with before we put work into a bid."
Dad watches me with that careful expression he's been wearing since he handed me my coffee this morning. He knows me. He doesn't ask.
"Good work today," he says instead.
I take the RFP to my room, set it face-down on my desk, and go to wash the dirt off my hands.
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